Monthly Archives: Desember 2013
TOKYO SKYTREE is designed in an original color, “SKYTREE White”, representing harmony with the surrounding scenery, its name and the design concept: “The creation of city scenery transcending time: A fusion of traditional Japanese beauty and neo-futuristic design”.
It is an original color based on “aijiro”, the lightest shade of Japanese traditional indigo blue. The color of SKYTREE also replicates the technique of indigo dyers, with a hint of blue added to the white color, giving a delicate pale blue glow, like that of white celadon ware.
Colors created by indigo dyers represent the legacy of Japanese traditional craftsmanship as conserved in the downtown area housing the tower. Encounter the tower and this artisan culture will become the starting point for the creation of a new culture.
Dressed in “SKYTREE white”, the new tower will stand tall against the blue sky in downtown Tokyo and transcend time with eternal brightness.
Decision of the Height of 634m
The height of the TOKYO SKYTREE was originally specified at approximately 610m in the original project. However, it was planned from the beginning to be the world’s tallest free-standing broadcasting tower. After careful discussion and research on high-rise buildings that are being built around the world, it was finally decided on 634m, to become the tallest free-standing broadcasting tower in the world.
Thus, the 634m-high TOKYO SKYTREE was recognized by the Guinness World Records Company on November 17, 2011 as the tallest tower in the world
The decision on the figure “634” for the height was based on the concept of choosing a figure that would be easy for everyone to remember with the world’s tallest tower that has also become a symbol of the area.
The sound of the number “634” when read in old Japanese numbers is “mu-sa-shi”, which reminds Japanese people of Musashi Province of the past, that used to cover a large area, including Tokyo, Saitama and part of Kanagawa Prefecture.
Historically speaking, the area where the TOKYO SKYTREE stands belonged to Musashi Province. From the Observation Decks, the landscape of the old Musashi Province spreads out before you and reminds visitors of the locality and history of the area lying east of Tokyo, i.e. east of old Edo.
We believe that the use of a familiar figure for the height of the TOKYO SKYTREE will make it easier for everyone to remember.
Outline of TOKYO SKYTREE
The major role of TOKYO SKYTREE is transmission of digital terrestrial broadcasting. Digital terrestrial broadcasting has already been in use since December 2003 in the Kanto area, but due to the many tall buildings rising over 200m high in central Tokyo, it has become necessary to build a new tower higher than 600m for broadcasting transmission purposes.
When the role is totally transferred to the new tower in the 600m class, the volume of digital terrestrial broadcasting transmission will be doubled, and thus mitigate the impact of the ever-increasing number of high-rise buildings. It is also expected to widen the area of coverage for “”One Seg””, digital terrestrial broadcasting for mobile terminals that has been in operation since April 2006.
It is also expected to assume a role as a tower with a disaster-prevention function at times of natural disaster.
Taken from http://www.tokyo-skytree.jp/en/archive/
Who does not know Borobudur? This Buddhist temple has 1460 relief panels and 504 Buddha effigies in its complex. Millions of people are eager to visit this building as one of the World Wonder Heritages. It is not surprising since architecturally and functionally, as the place for Buddhists to say their prayer, Borobudur is attractive.
Borobudur was built by King Samaratungga, one of the kings of Old Mataram Kingdom, the descendant of Sailendra dynasty. Based on Kayumwungan inscription, an Indonesian named Hudaya Kandahjaya revealed that Borobudur was a place for praying that was completed to be built on 26 May 824, almost one hundred years from the time the construction was begun. The name of Borobudur, as some people say, means a mountain having terraces (budhara), while other says that Borobudur means monastery on the high place.
Borobudur is constructed as a ten-terraces building. The height before being renovated was 42 meters and 34.5 meters after the renovation because the lowest level was used as supporting base. The first six terraces are in square form, two upper terraces are in circular form, and on top of them is the terrace where Buddha statue is located facing westward. Each terrace symbolizes the stage of human life. In line with of Buddha Mahayana, anyone who intends to reach the level of Buddha’s must go through each of those life stages.
The base of Borobudur, called Kamadhatu, symbolizes human being that are still bound by lust. The upper four stories are called Rupadhatu symbolizing human beings that have set themselves free from lust but are still bound to appearance and shape. On this terrace, Buddha effigies are placed in open space; while the other upper three terraces where Buddha effigies are confined in domes with wholes are called Arupadhatu, symbolizing human beings that have been free from lust, appearance and shape. The top part that is called Arupa symbolizes nirvana, where Buddha is residing.
Each terrace has beautiful relief panels showing how skillful the sculptors were. In order to understand the sequence of the stories on the relief panels, you have to walk clockwise from the entrance of the temple. The relief panels tell the legendary story of Ramayana. Besides, there are relief panels describing the condition of the society by that time; for example, relief of farmers’ activity reflecting the advance of agriculture system and relief of sailing boat representing the advance of navigation in Bergotta (Semarang).
All relief panels in Borobudur temple reflect Buddha’s teachings. For the reason, this temple functions as educating medium for those who want to learn Buddhism. YogYES suggests that you walk through each narrow passage in Borobudur in order for you to know the philosophy of Buddhism. Atisha, a Buddhist from India in the tenth century once visited this temple that was built 3 centuries before Angkor Wat in Cambodia and 4 centuries before the Grand Cathedrals in Europe.
Thanks to visiting Borobudur and having supply of Buddha teaching script from Serlingpa (King of Sriwijaya), Atisha was able to improve Buddha’s teachings after his return to India and he built a religion institution, Vikramasila Buddhism. Later he became the leader of Vikramasila monastery and taught Tibetans of practicing Dharma. Six scripts from Serlingpa were then summarized as the core of the teaching called “The Lamp for the Path to Enlightenment” or well known as Bodhipathapradipa.
A question about Borobudur that is still unanswered by far is how the condition around the temple was at the beginning of its foundation and why at the time of it’s finding the temple was buried. Some hypotheses claim that Borobudur in its initial foundation was surrounded by swamps and it was buried because of Merapi explosion. It was based on Kalkutta inscription with the writing ‘Amawa’ that means sea of milk. The Sanskrit word was used to describe the occurrence of disaster. The sea of milk was then translated into Merapi lava. Some others say that Borobudur was buried by cold lava of Merapi Mountain.
With the existing greatness and mystery, it makes sense if many people put Borobudur in their agenda as a place worth visiting in their lives. Besides enjoying the temple, you may take a walk around the surrounding villages such as Karanganyar and Wanurejo. You can also get to the top of Kendil stone where you can enjoy Borobudur and the surrounding scenery.
Taken from http://www.yogyes.com/en/yogyakarta-tourism-object/candi/borobudur/
Long a symbol of love and passion, the ancient Greeks and Romans associated roses with Aphrodite and Venus, goddesses of love. Used for hundreds of years to convey messages without words, they also represent confidentiality. In fact, the Latin expression “sub rosa”(literally, “under the rose”) means something told in secret, and in ancient Rome, a wild rose was placed on the door to a room where confidential matters were being discussed.
Primary Significance: Love and Romance. The Red Rose not only carries more meaning than many other color roses, it is also one of the most universal of all symbols. The long, storied history of the red rose has lent it a wealth of significance. Red roses have been represented in countless works of art, from classical paintings and poetry to modern day music and media. They have appeared throughout history and across many cultures as political and religious symbols. The mystique of the red rose has been a source of immeasurable inspiration for many throughout the ages. However, it is as the symbol for love that the red rose is most commonly recognized.
Red roses, as we think of them today, are the traditional symbol for love and romance. The modern red rose we are now familiar with was introduced to Europe from China in the 1800’s. However, the meanings associated with them can be traced back many centuries, even to some of the earliest societies. The color red itself evolved from an early primal symbol for life into a metaphor for deep emotion. In Greek and Roman mythology the red rose was closely tied to the goddess of love. Many early cultures used red roses to decorate marriage ceremonies and they were often a part of traditional wedding attire. Through this practice, the red rose became known as a symbol for love and fidelity. As the tradition of exchanging roses and other flowers as gifts of affection came into prevalence, the red rose naturally became the flower of choice for sending the strongest message of love. This is a tradition that has endured to the present day.
Red roses continue to be the most popular way to say “I love you” to someone special. The rich heritage of the red rose has culminated in its modern day image as the lover’s rose. They are the definitive symbol for romantic sentiments, representing true love, stronger than thorns. Red roses are a meaningful gift, perfect for expressing feelings for a loved one on Valentine’s Day, an anniversary or simply “just because.” For the budding relationship, a red rose bouquet can also signal the beginning of romantic intentions. They can send a message of commitment and an invitation to take the next step. Even the simplicity of a single red rose can elicit a powerful response. Whatever the occasion, red roses have an allure that is hard to resist!
Taken from http://www.proflowers.com/guide/history-and-meaning-behind-red-roses and http://www.teleflora.com/roses/flowers-plants/rose-detail.asp
Seven different species ofÂ sea (or marine) turtles grace our ocean waters, from the shallow seagrass beds of the Indian Ocean, to the colorful reefs of the Coral Triangle, and even the sandy beaches of the Eastern Pacific. WWFâ€™s work onÂ sea turtles focuses on five of those species: green, hawksbill, loggerhead, leatherback and olive ridley.
Human activities have tipped the scales against the survival of these ancient mariners. Nearly all species of sea turtle are classified as Endangered. Slaughtered for their eggs, meat, skin and shells,Â sea turtles suffer from poaching and over-exploitation. They also face habitat destruction and accidental capture in fishing gear. Climate change has an impact on turtle nesting sites. It alters sand temperatures, which then affects the sex of hatchlings.
WWF is committed to stop the decline ofÂ sea turtles and work for the recovery of the species. We work to secure environments in which both turtlesâ€”and the people that depend upon themâ€”can survive into the future.
SeaÂ turtles are a fundamental link in marine ecosystems. They help maintain the health of sea grass beds and coral reefsÂ thatÂ benefit commercially valuable species such as shrimp, lobster and tuna.Â Sea turtles are the live representatives of a group of reptiles that have existed on Earth and traveled our seas for the last 100 million years. Turtles have major cultural significance and tourism value.
Sea turtles journey between land and sea and swim thousands of ocean miles during their long lifetimes, exposing them to countless threats. They wait decades until they can reproduce, returning to the same beaches where they were born to lay their eggs, few of which will yield hatchlings that survive their first year of life. Beyond these significant natural challenges,Â sea turtles face multiple threats caused by humans.
Sea turtles continue to be harvested unsustainably both for human consumption and trade of their parts. Turtle meat and eggs are a source of food and income for many people around the world. Some also kill turtles for medicine and religious ceremonies. Tens of thousands of sea turtles are lost this way every year, devastating populations of already endangered greens and hawksbills.
Killing of turtles for both domestic and international markets continues as well. While international trade in allÂ sea turtle species and their parts is prohibited under the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), illegal trafficking persists.
Worldwide, hundreds of thousands of sea turtles are accidentally caught in shrimp trawl nets, on longline hooks and in fishing gillnets every year.Â They becomeÂ fisheries bycatch–unintended catch of non-target species.
Sea turtles need to reach the surface to breathe and therefore many drown once caught.Â Incidental captureÂ by fishingÂ gearÂ is the greatest threat to mostÂ sea turtles, especially endangered loggerheads, greens and leatherbacks. This threat is increasing as fishing activity expands.
Taken from http://worldwildlife.org/species/sea-turtle